more tbc

(tbc)
Sable round brushes, colours and paper:
n.10 Italian Venetian Red
n.6 Aureolin
n.3 Indigo
Watercolour paper NOT 280 gsm 38 x 28cm

additional exercise using all materials above:
(tbc)

planning
n.10 value everything but not too much
God’s worlds, no, not spheres
God’s encouraging presence, no
God’s comforts where heart can feel at home perhaps
forts, perhaps
upright structures
lines perhaps in big n.10
in Italian Venetian Red, a specific person, or humans generally
vertical lines perhaps
not shapes though
perhaps

n.6 about tolerance
everything is dear to God
all receive God’s guidance and support
ports perhaps
round lines perhaps
not shapes
perhaps
in Aureolin, light, seeing God
perhaps

n.3 respecting God
all things speak for God perhaps
peaks perhaps
triangles perhaps
in Indigo, No in crochet
negative space perhaps
triangles make all the negative space, no
not what is left of a square
about not respecting God, no
seeing God is about His choice to my mind
so No is part of that
can be one of God’s choices
therefore one way of seeing God
Indigo may be part of the same line as Aureolin
respecting God is also about seeing God, the word respect
to see again
Aureolin and Indigo may be two sides of the same thing
perhaps

summary
vertical lines in Red in 10
round lines in Yellow in 6
triangles in Blue in 3
Blue and Yellow perhaps part of the same thing
perhaps

W 273 abcd


Sable round brushes, colours and paper:
n.10 Italian Venetian Red (unused)
n.7 Aureolin
n.3 Terre Verte
Watercolour paper NOT 280gsm 38 x 28cm

additional exercise using all materials above:

20200216

planning
n.10 value everything but not too much
God’s worlds perhaps
spheres perhaps
in Italian Venetian Red representing an individual or humans generally
Pumpkin in crochet, could even look like pumpkins, no
two sides, balance perhaps

n.7 working carefully
every second is a pot of Gold
round shapes
in Aureolin which is not Gold but a paler yellow
this speaks about valuing everything, without but, every second that is given
mirroring the worlds in Red, no
side by side, no
both speak of valuing everything to some extent perhaps
not about prioritizing
balance, no
not circles
spheres, no
two round sides and two straight, no
squares actually, perhaps

n.3 respecting God, immortality perhaps
with the movement from one part of existence to another
perhaps
all things speak for God
peaks perhaps
triangles perhaps
in Terre Verte aka Happy Earth perhaps
the shapes of trees, no
because of the green, no
not an actual thing
perhaps
small in 3, leaves, no
perhaps

summary
spheres in Red in 10
squares in Yellow in 7
triangles in Green in 3

W 272 abcd


Sable round brushes, colours and paper:
n.10 Burnt Umber (unused)
n.5 Permanent Magenta
n.9 Italian Venetian Red
Watercolour paper NOT 280gsm 38 x 28cm

additional exercise using all materials above:

20200215

planning:
n.10 value everything but no too much
two sides
in Burnt Umber representing the negative side
therefore ‘not too much’ perhaps
minimalist, no
God’s worlds perhaps
but small perhaps
dots, no
spheres, small spheres perhaps

n.5 thanking God
God makes all things
also discomfort perhaps
in Permanent Magenta indicting permanence
long lines perhaps
horizontal, no
not diagonal though perhaps
therefore horizontal to some view of the image when it is turned
perhaps
although discomforts could be broken lines, no
but not upright structures perhaps

n.9 speaking the truth
peaks
perhaps triangles
perhaps
in Italian Venetian Red representing an individual and all humans too
perhaps

summary
small spheres in Burnt Umber in 10
straight or vertical long lines in Magenta in 5
triangles in Venetian Red in 9

W 271 abcd


Sable round brushes, colours and paper:
n.3 Winsor Red Deep (unused)
n.8 Raw Umber
n.10 Turner’s Yellow
Watercolour paper NOT 280gsm 38 x 28cm

additional exercise using all materials above:

20200214

on Valentine’s day
love lives forever perhaps

n.3 respecting God, this to me speaks of immortality
seeing again, in image, mirroring, doubling perhaps
respecting is a renewal and the words of the song have movement
if existence is dance, this has the movement
the birds, the trees
speaking for God, one and all, peaks
triangles perhaps
in Winsor Red Deep, heart in crochet perhaps
or winning, perhaps the same thing
perhaps

n.8 the number can symbolize eternity
and yet treasuring what is closest
detail
galaxies, no
ocean of delight perhaps
rays, no
triangles, no
lines, no
waves, no
big waves, no
vast expanses perhaps
calm oceans perhaps
in Raw Umber which will come to symbolize Earth when next painted for crochet in Beatles Cover
perhaps

n.10 value everything but not too much
balance always
perhaps
this is in Turner’s Yellow, symbolizing Gold in crochet and perhaps also faith without structures, just pure trust in God
God’s worlds, no
God’s encouraging presence
this is contained within
finding courage within
perhaps
Gold is inside the triangles
perhaps

summary
triangles in Red in 3
vast spaces in Earth in 8
Gold contained in the triangles in 10
perhaps

W 270 abcd


Sable round brushes, colours and paper:
n.5 Raw Sienna
n.8 Lapis Lazuli Genuine
n.10 Indanthrene Blue
Watercolour paper NOT 280gsm 38 x 28cm

additional exercise using some of the above materials
n.8 Lapis Lazuli Genuine was not used here:

20200213

planning
n.5 thanking God
God makes all things
including discomfort
broken lines perhaps
not straight lines
curved lines, broken
perhaps
any direction perhaps
in Raw Sienna, about structures, framework perhaps
frames, no
structures perhaps
broken structures, no, not ruins
rounded structures, circles perhaps
or broken spheres perhaps

n.8 treasuring what is closest perhaps
detail perhaps
galaxies perhaps
spheres also in Lapis Lazuli, Divine intervention
perhaps
Genuine, true shapes, no
larger because Divine, no
smaller, no
unbroken anyway perhaps

n.10 value everything but not too much
God’s worlds, spheres perhaps
also in Indanthrene Blue working together
Twilight in crochet, two lights
two spheres, no
a double sphere, no
both Blue spheres working together at repairing the broken yellow spheres
perhaps, so around the yellow broken spheres
perhaps

W 269 abcd


Sable round brushes, colours and paper:
n.4 Rhodonite Genuine (unused)
n.8 Burnt Umber
n.10 Lapis Lazuli Genuine
Watercolour paper NOT 280gsm 38 x 28cm

additional exercise using all the above materials:

20200212

planning
n.4 keeping God in mind always,
Dawn to daybreak, no
God paints the world in flower words, no
God’s loving light shines out
lines, like yesterday perhaps
but in Rhodonite Genuine representing artful beauty
which is a little bit artificial, but genuine so this is a
true image perhaps
not straight lines
like the pink loop representing breast cancer, no
but not straight lines
wavy lines, no
curved lines, part of a loop perhaps

n.8 treasuring that which is closest
detail perhaps
galaxies, no
glow, no
comforts, forts perhaps
upright lines, not shapes
but this is n.8
quite large lines perhaps
in Burnt Umber, shadow
like the remains after a fire, no
shadow like protection from the sun perhaps

no comforts in n.8
oceans of light perhaps
in Burnt Umber, so very light, perhaps
triangles perhaps

n.10 value everything but not too much
back with n.10
this the comfort perhaps
the lines in Umber being but the shadow of it
giving the shape of the comfort perhaps
like a reflection in water being still visible even where the rest of the painting is faded perhaps, no
but forts perhaps
upright shapes, no
upright lines perhaps in n.10 very wide lines
in Lapis Lazuli Genuine representing Divine intervention
somehow coming from the sky perhaps
downward uprights
perhaps

overall
curved lines in Pink
triangles of light in Umber, like shadows of the structures in Lapis Lazuli
structures are upright lines in Blue, but upside down
perhaps

W 268 abcd


Sable round brushes, colours and paper:
n.4 Winsor Red Deep (unused)
n.9 Burnt Umber (unused)
n.8 Amethyst Genuine
Watercolour paper NOT 280gsm 38 x 28cm

additional exercise using some materials above:
n.8 Amethyst Genuine was not used in the additional exercise
entirely painted with guidance

20200211

planning
n.4 keeping God in mind
dawn to daybreak no
not bright sunshine or rain
not flower words
God’s loving light
perhaps
rays, lines, no particular direction
perhaps
in Winsor Red Deep, heart or winning
blood lines, no
straight lines
perhaps
or can be anything
perhaps
God’s choice at the time
so that I am not able to distort the image even accidentally
though I doubt I could, anyway..
perhaps

n.9 speaking the truth
peaks, no
nein, which sounds like nine means no in German for instance
and truth here is in shadow, in Umber
the shadow of another shape, no
no indication is given to me
it may be entirely directed during the painting
perhaps
God wants to keep His options open
perhaps

n.8 caring most for what is closest
details, magnifying details perhaps
not lances
not galaxies
miles, perspective, no
heat mirages, no
oceans of light
not oceans
but light
perhaps
in ‘am atheist’, in disbelief perhaps
so not a realistic image perhaps
not triangles
not lines
washes, no
the light side of the dark Umber perhaps
together forming an image
perhaps

overall
lines in Red in 4
dark Umber in 9, large shapes
light Amethyst in 8