Fennel Leek Chico Plato Bake

individual portion

195g tinned Chickpeas
40g toasted Pine Nuts
1 Albumen lightly whisked
30ml Sunflower Oil
90g Philadelphia Light
300g Leeks sliced thinnish across
350g Fennel sliced thinnish stems across, bulb longways, fronds set aside
1/2 teaspoon fennel seed

Preheated oven to 190°C

PLATO (15min)
Prepared the Plato by mixing together the first three ingredients
Spread the Plato in 21x16x6cm glass oven dish fully lined with parchment paper
Baked 15min

LEEKS (15min)
In medium large frypan fried the Leeks in 15ml Sunflower Oil for 15min
After cooking added half the Leeks to a jug with the Philadelphia and blended with hand-blender until fairly smooth
Stirred in the remaining Leeks

FENNEL (15min)
In small frypan fried the Fennel in 15ml Sunflower Oil for 15min
5min before the end added the fronds and fennel seed

After all above are cooked

PLATO BAKE (20min)
Spread the Leeks evenly over the Plato
Covered with the Fennel
Baked 20min still at 190°C

complete protein 17.5g
saturated fats 12.3g
uncompleted legume protein 8.6g

W 269 abcd


Sable round brushes, colours and paper:
n.4 Rhodonite Genuine (unused)
n.8 Burnt Umber
n.10 Lapis Lazuli Genuine
Watercolour paper NOT 280gsm 38 x 28cm

additional exercise using all the above materials:

20200212

planning
n.4 keeping God in mind always,
Dawn to daybreak, no
God paints the world in flower words, no
God’s loving light shines out
lines, like yesterday perhaps
but in Rhodonite Genuine representing artful beauty
which is a little bit artificial, but genuine so this is a
true image perhaps
not straight lines
like the pink loop representing breast cancer, no
but not straight lines
wavy lines, no
curved lines, part of a loop perhaps

n.8 treasuring that which is closest
detail perhaps
galaxies, no
glow, no
comforts, forts perhaps
upright lines, not shapes
but this is n.8
quite large lines perhaps
in Burnt Umber, shadow
like the remains after a fire, no
shadow like protection from the sun perhaps

no comforts in n.8
oceans of light perhaps
in Burnt Umber, so very light, perhaps
triangles perhaps

n.10 value everything but not too much
back with n.10
this the comfort perhaps
the lines in Umber being but the shadow of it
giving the shape of the comfort perhaps
like a reflection in water being still visible even where the rest of the painting is faded perhaps, no
but forts perhaps
upright shapes, no
upright lines perhaps in n.10 very wide lines
in Lapis Lazuli Genuine representing Divine intervention
somehow coming from the sky perhaps
downward uprights
perhaps

overall
curved lines in Pink
triangles of light in Umber, like shadows of the structures in Lapis Lazuli
structures are upright lines in Blue, but upside down
perhaps